More rehearsal footage (Performers continue to develop their solos or duet through recalling and developing improvisations from being on all fours and from the notion of being consumed-literally, eaten alive.) Some important words from Emilyn Claid's book Yes?No!Maybe....Seductive Ambiguity in Dance......"Seduction in performance becomes an interactive, interchangeable, pleasureable play of multiple meanings and identites between performers and spectators-a physical action of desiring."
"submit to pleasure as a statement of power.." (171)
I begin to really refine my research now as I ask: can the woman's body be submissive and dominant on all fours?
Other questions beginning to surface: What does the position 'on all fours' mean for a woman? How is it perceived in different situations, cultures etc.? Can this position be a source of power? Can being in a submissive position be a source of power? Are images of women, therefore, their bodies, being consumed by spectators?
Using powerful movement and expression, we delve into and challenge death, femininity, sexiness, beauty, dirtiness, ugliness, and exhaustion. We are physically and emotionally invested in creating atmospheres that feel cinematic or ‘other worldly’. The work is brave, innovative, and provocatively edgy. Together we create provocative, site-sensitive performance projects. We make live art experiences.
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